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 Karen Hanmer Book Arts
New
Design Bindings
Featured Design Bindings
Historic Structures
Leather Fine Bindings
Contemporary Structures
Fine Press
Literature
Antiquarian
Fish Parchment
Book About Books
Artists' Books
Featured Artists' Books
History & Culture
Civic Lessons
Sculptural & Movable
Place & Time
Photo Based Works
Book Structure Models
Featured Structure Models
Historic Structures
Cutaways
Sets
About
About Karen
News & Instagram
Exhibitions
Bibliography & Publications
Awards & Commissions
Workshops/Lectures/Visiting Artist
Public Collections
Newsletter Subscription
Contact
FAQS
Books about Books
Teaching
Scheduled Workshops
Handouts, Tutorials & Demo Books
Books In Sheets
Workshop Archive
Partner Organizations
0
0
New
Folder: Design Bindings
Back
Featured Design Bindings
Historic Structures
Leather Fine Bindings
Contemporary Structures
Fine Press
Literature
Antiquarian
Fish Parchment
Book About Books
Folder: Artists' Books
Back
Featured Artists' Books
History & Culture
Civic Lessons
Sculptural & Movable
Place & Time
Photo Based Works
Folder: Book Structure Models
Back
Featured Structure Models
Historic Structures
Cutaways
Sets
Folder: About
Back
About Karen
News & Instagram
Exhibitions
Bibliography & Publications
Awards & Commissions
Workshops/Lectures/Visiting Artist
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Folder: Teaching
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Gallery 18th Century binding model
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18th Century binding model

from $750.00

Eighteenth Century Trade Binding Cutaway Model

This model is also available as a set of two, one cutaway, one fully-covered

The accompanying manual is also available separately, print on demand.

As the number of books being produced increased quickly after the invention of moveable (letterpress) type, binders who were still making books entirely by hand struggled to keep up. Numerous time-saving measures were developed during the first four hundred years of letterpress printing, between the mid-fifteenth and early nineteenth centuries. Yet, the basic structure of leather binding during this time remained the same: the bookblock was sewn onto supports, the spine was shaped, paper boards were laced on, and the book was covered in leather thin enough to be flexible but thick enough to offer support to the joints.

This binding structure model represents binding in the letterpress era before the adaptation of mechanization or time-saving abbreviations. The model is accompanied by a seventeen page illustrated guidebook with bibliography outlining the techniques used to construct a model based on binding practices in the eighteenth century. Many time saving measures and some of the luxury features of books of this era not included in the model are also discussed in the guidebook. Sewn on raised supports, laced into boards of laminated paper, spine lined with printed waste. Endsheets by MarbleSmith Paper, hand-sewn silk endbands, edges sprinkled with acrylic. Covered in calf, blind tooling around bands and boards.

7.75 x 5 x 1”

Please note: these models are made to order and may not be available for immediate delivery. Average turn-around time is three months.

Karen Hanmer is a leader in the field of hands-on education of historical bindings. This accurate and exquisitely detailed cutaway-binding model opens up myriad teaching opportunities to educate the public, students, fellow educators to the inner workings of the historical book. A valuable addition to any rare book collection.
Madelyn Garrett, Former University of Utah rare book curator, Garrett has lectured extensively on the history of the book; established a nationally-recognized book arts program; and conceived of and implemented a statewide K-12 history-of-the-book/bookmaking program.

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Eighteenth Century Trade Binding Cutaway Model

This model is also available as a set of two, one cutaway, one fully-covered

The accompanying manual is also available separately, print on demand.

As the number of books being produced increased quickly after the invention of moveable (letterpress) type, binders who were still making books entirely by hand struggled to keep up. Numerous time-saving measures were developed during the first four hundred years of letterpress printing, between the mid-fifteenth and early nineteenth centuries. Yet, the basic structure of leather binding during this time remained the same: the bookblock was sewn onto supports, the spine was shaped, paper boards were laced on, and the book was covered in leather thin enough to be flexible but thick enough to offer support to the joints.

This binding structure model represents binding in the letterpress era before the adaptation of mechanization or time-saving abbreviations. The model is accompanied by a seventeen page illustrated guidebook with bibliography outlining the techniques used to construct a model based on binding practices in the eighteenth century. Many time saving measures and some of the luxury features of books of this era not included in the model are also discussed in the guidebook. Sewn on raised supports, laced into boards of laminated paper, spine lined with printed waste. Endsheets by MarbleSmith Paper, hand-sewn silk endbands, edges sprinkled with acrylic. Covered in calf, blind tooling around bands and boards.

7.75 x 5 x 1”

Please note: these models are made to order and may not be available for immediate delivery. Average turn-around time is three months.

Karen Hanmer is a leader in the field of hands-on education of historical bindings. This accurate and exquisitely detailed cutaway-binding model opens up myriad teaching opportunities to educate the public, students, fellow educators to the inner workings of the historical book. A valuable addition to any rare book collection.
Madelyn Garrett, Former University of Utah rare book curator, Garrett has lectured extensively on the history of the book; established a nationally-recognized book arts program; and conceived of and implemented a statewide K-12 history-of-the-book/bookmaking program.

Eighteenth Century Trade Binding Cutaway Model

This model is also available as a set of two, one cutaway, one fully-covered

The accompanying manual is also available separately, print on demand.

As the number of books being produced increased quickly after the invention of moveable (letterpress) type, binders who were still making books entirely by hand struggled to keep up. Numerous time-saving measures were developed during the first four hundred years of letterpress printing, between the mid-fifteenth and early nineteenth centuries. Yet, the basic structure of leather binding during this time remained the same: the bookblock was sewn onto supports, the spine was shaped, paper boards were laced on, and the book was covered in leather thin enough to be flexible but thick enough to offer support to the joints.

This binding structure model represents binding in the letterpress era before the adaptation of mechanization or time-saving abbreviations. The model is accompanied by a seventeen page illustrated guidebook with bibliography outlining the techniques used to construct a model based on binding practices in the eighteenth century. Many time saving measures and some of the luxury features of books of this era not included in the model are also discussed in the guidebook. Sewn on raised supports, laced into boards of laminated paper, spine lined with printed waste. Endsheets by MarbleSmith Paper, hand-sewn silk endbands, edges sprinkled with acrylic. Covered in calf, blind tooling around bands and boards.

7.75 x 5 x 1”

Please note: these models are made to order and may not be available for immediate delivery. Average turn-around time is three months.

Karen Hanmer is a leader in the field of hands-on education of historical bindings. This accurate and exquisitely detailed cutaway-binding model opens up myriad teaching opportunities to educate the public, students, fellow educators to the inner workings of the historical book. A valuable addition to any rare book collection.
Madelyn Garrett, Former University of Utah rare book curator, Garrett has lectured extensively on the history of the book; established a nationally-recognized book arts program; and conceived of and implemented a statewide K-12 history-of-the-book/bookmaking program.

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KAREN HANMER Book Arts

Glenview, Illinois, USA
karen@karenhanmer.com

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