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 Karen Hanmer Book Arts
New
Design Bindings
Featured Design Bindings
Historic Structures
Leather Fine Bindings
Contemporary Structures
Fine Press
Literature
Antiquarian
Fish Parchment
Book About Books
Artists' Books
Featured Artists' Books
History & Culture
Civic Lessons
Sculptural & Movable
Place & Time
Photo Based Works
Book Structure Models
Featured Structure Models
Historic Structures
Cutaways
Sets
About
About Karen
News & Instagram
Exhibitions
Bibliography & Publications
Awards & Commissions
Workshops/Lectures/Visiting Artist
Public Collections
Newsletter Subscription
Contact
FAQS
Books about Books
Teaching
Scheduled Workshops
Handouts, Tutorials & Demo Books
Books In Sheets
Workshop Archive
Partner Organizations
0
0
New
Folder: Design Bindings
Back
Featured Design Bindings
Historic Structures
Leather Fine Bindings
Contemporary Structures
Fine Press
Literature
Antiquarian
Fish Parchment
Book About Books
Folder: Artists' Books
Back
Featured Artists' Books
History & Culture
Civic Lessons
Sculptural & Movable
Place & Time
Photo Based Works
Folder: Book Structure Models
Back
Featured Structure Models
Historic Structures
Cutaways
Sets
Folder: About
Back
About Karen
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Gallery Springback Binding: models
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Springback Binding: models

$125.00

The nineteenth century Springback Binding with its enthusiastic opening is ideal for journals, guest books, sketch books, or any application where it is desirable that the book open flat, and then some. The book both opens and closes with satisfying jolt.

The Springback Binding is also a perfect way to delve more deeply into traditional binding. The book features two-part “split boards,” reinforced “made” endsheets, and a “spring” made of layers of card and paper. With its robust aesthetic, the Springback Binding is a great way to begin working with leather. The paring requires minimal finesse, and the modest leather headcap is easy to form.

These models were made as demos while teaching a bookbinding workshop. They may include marks or notes made to aid students. Colors and patterns will vary. Cutaway bindings revealing structural features are sometimes available.

Workshop handout not included with model but available separately here: Seventeen-page workshop handout with bibliography plus tool and supply list. Please note this handout was written not to replace but to supplement an in-person workshop demo.

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The nineteenth century Springback Binding with its enthusiastic opening is ideal for journals, guest books, sketch books, or any application where it is desirable that the book open flat, and then some. The book both opens and closes with satisfying jolt.

The Springback Binding is also a perfect way to delve more deeply into traditional binding. The book features two-part “split boards,” reinforced “made” endsheets, and a “spring” made of layers of card and paper. With its robust aesthetic, the Springback Binding is a great way to begin working with leather. The paring requires minimal finesse, and the modest leather headcap is easy to form.

These models were made as demos while teaching a bookbinding workshop. They may include marks or notes made to aid students. Colors and patterns will vary. Cutaway bindings revealing structural features are sometimes available.

Workshop handout not included with model but available separately here: Seventeen-page workshop handout with bibliography plus tool and supply list. Please note this handout was written not to replace but to supplement an in-person workshop demo.

The nineteenth century Springback Binding with its enthusiastic opening is ideal for journals, guest books, sketch books, or any application where it is desirable that the book open flat, and then some. The book both opens and closes with satisfying jolt.

The Springback Binding is also a perfect way to delve more deeply into traditional binding. The book features two-part “split boards,” reinforced “made” endsheets, and a “spring” made of layers of card and paper. With its robust aesthetic, the Springback Binding is a great way to begin working with leather. The paring requires minimal finesse, and the modest leather headcap is easy to form.

These models were made as demos while teaching a bookbinding workshop. They may include marks or notes made to aid students. Colors and patterns will vary. Cutaway bindings revealing structural features are sometimes available.

Workshop handout not included with model but available separately here: Seventeen-page workshop handout with bibliography plus tool and supply list. Please note this handout was written not to replace but to supplement an in-person workshop demo.

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KAREN HANMER Book Arts

Glenview, Illinois, USA
karen@karenhanmer.com

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